with lines on the floor
in sweden.

I think out loud with painted lines on the ground, for their immediate appearance as lines and their proportion to our shared scale, they can be seen as bodies next to ours. They delineate space, instruct us on movement. The lines are of communication. The curiosity lies in how this interaction affects our perception of, and movement within space; in how these lines transform the aesthetic of our days. They are often not seen, for it is expected they would be there anyways, but there is rhythm in a cross path. It is a structural visual language built on our behaviour. It is either parallel or perpendicular to intuitive movement. It is parallel as an arrow indicating the way; Perpendicular, referencing either the implied restriction of movement to a certain area, or the visual contrast (texture) created by signifying lines, as for cut lines indicating parking spaces. It is with these collaborations in mind that I interact with the lines on the floor.